THE ROAD REPORT


<

SEE TELEVISION COVERAGE OF THE ORIGINAL ASIA REUNION

CLICK HERE TO SEE PHOTOS FROM THE TOUR!

CARL PALMER BAND VISITS BOSTON MUSIC SCHOOL!

MUSIC LEGEND LES PAUL INVITES
CARL PALMER BAND GUITARIST,
PAUL BIELATOWICZ,
ONSTAGE FOR IMPROMPTU JAM!!

Montreal, Canada

B.B. King Blues Club New York City

More Tour Photos - June 20,

And More Tour Photos - June 28, Las Vegas

Bass Legend Stu Hamm Checks Out The Carl Palmer Band

Pollstar review CP Regent Theater Arlington, MA

JUST ADDED ! June 16th.
MORE FAN RESPONSES FROM CARL'S TOUR

I had no idea what to expect

 

Carl Palmer Band

Launches Triumphant

North American Tour!

 

Fri  June 9, 2006:

Legendary Rock Drummer Carl Palmer and his band, began a 32 city tour of Canada and the United States before an enthusiastic crowd of 700 fans at the Hamilton Place Performing Arts Center in Hamilton, Ontario, Canada, Wed May 24th. Thus far, the group has played 14 of the 32 shows on the tour including stops in Toronto, Montreal, Boston, New Haven,

Philadelphia, Long Island, Pittsburgh, and New York City.     

       Backed by Paul Bielatowicz on guitar and Stuart Clayton on bass, Palmer blazed through an energetic 2 hour all-instrumental set, that has been titled: “Carl Palmer celebrates The Music Of Emerson Lake & Palmer.”  From “Fanfare For The Common Man” through “Hoedown,” to classics such as “Tarkus” and

“Peter Gunn,” Palmer and his band have left audiences standing on their feet, cheering and hoping for more encores.

       In addition to hearing a wide variety of rock songs, ELP originals, and Palmer’s own arrangements of classical music standards re-charted for a three piece power rock trio. Fans have been often surprised but very receptive to the new electric guitar-driven arrangements of the ELP material that had been previously spearheaded by Keith Emerson’s keyboard playing.

       There have been several sell outs thus far on the tour, including the Intermedia Arts Center in Long Island (which had sold its last set of tickets nearly

a month before the concert took place); The Rams Head On Tour venue in Annapolis, Maryland; and the famed BB King’s Club & Grill, where Palmer

had sold out a month prior and packed the venue with

over 650 patrons, many of which had taken SRO tickets just to get in.

       In addition to the ELP classics, fans have been given an intimate look at Palmer’s legendary drumming and show theatrics. Both Bielatowicz and Clayton were featured with extensive solos in the show.

       The response by fans, has been nothing short of

overwhelming. In several cities, fans stood in line for close to two hours to say hello and get an autograph

from Palmer and the band, who have decided to come out in theater lobbies each night to meet the audience

after the show.

 

       To read more reports from the road about the Carl Palmer Band 2006 North American tour, please check back at this website again soon.

 

      

Don’t Take Our

Word For It….

Here is what the fans are saying so far….

_______________________

 

 

I had no idea what to expect.  I took my 14 year old nephew who will be turning 15 in August and who has been drumming since he was 11.

 

He is not familiar with the music of ELP.

 

I am very familiar with the music of ELP.

 

Changing/arranging the music of ELP to drums, bass and guitar had me a bit concerned….

 

Both of us were totally blown away.  I have no idea where Mr. Palmer found these two musicians, but they were all awesome and of the same caliber in musicianship which is quite astonishing as the guitarist and bassist where probably half Mr. Palmer’s age.

 

My nephew got autographed sticks, but I wish he could’ve got to talk drumming with Mr. Palmer.  I hope Carl does a drum clinic in the Philly area sometime instead of New York.

 

Awesome.

 

 

Brian F. McElroy

 

I just had to write a note of thanks.  My wife had gotten me tickets for last night’s concert as a birthday present.  It and you and the rest of the band were incredible.  I have been a fan since the first time I heard Tank.  I was sixteen and in a music store and just happened to be standing in the right spot as the sounds went from speaker to speaker. It was my first true experience of stereo.  I bought a stereo and those speakers on the spot.  Yours was the first album I played on it.  I then spent the next four years going back and forth to college and every time I reassembled the stereo it was always the first to play.  I have since replaced the album with a CD but till this day, it is the first to play on any new device I get, including my new iPod.  Again, thanks for a concert that my wife and I will never forget.

 

 

 

Joe and Jackie Gordon

 

 

thank you for a phenomenal show at the regent theater in Arlington Massachusetts. please come back again!!!!!

Lou Leo (ELP fan forever)

louleo@comcast.net

 

Your drumming was the reason I started. I got really wrapped into rudimental drumming adn went to drum corps for 6 years. I cold go on and on, on how you influenced me but my real reason for writing. I have always wanted to see you in a clinic but most of your clinics are done in UK. I have seen you play with ELP and three and loved it. What about FLorida or Georgia. I could drive there. I am seriously thinking about the NYC show on June 3rd. But have to what and see. Air fares my stop me on this one. But I am working on it.

 

Carl just got in from the Hamilton show, I hope you are alright, they way you limped off stage did not look good.

 

What a fine show! your band was tight and incredible.

 

I've been a fan since the begining (NPI) I remember that nite when I believe in father Xmas premiered on Don Kirshner's RC.

 

Never had the priveledge of seeing ELP live, until tonite, and I really think I prefer stratocaster to moog synth.

 

Your young guitarist reminded me of Stevie Vai who I will be catching with the Zappa plays Zappa tour in June.

 

Even harry your sound guy did a fine job, the sound was crisp, well mixed and even.

 

Again fabulous show Carl! You are still one of the finest drummers out there!

 

and hey "The Nut rocker" !!!

 

good luck with the rest of the tour!

 

thanks for a merorable nite!

 

Phil

 

Hi there Mr. Palmer.  I loved listening to your music with ELP as a teen, and I was treated to your raw drumming energy tonight in Hamilton, Ontario.  Thankyou for pouring yourself into this performance, I sat in amasement with the effort and finesse you put into your music.  Thankyou for a wonderful, ear-shattering performance!  You shook the place so much stuff came down frome the ceiling!

I noted that at the end of the encore you seemed to be in some distress, you had gave it your all, and you looked hurt to the point you couldn't get up at first!  The crowd in front of me was congratulating the bass player, catching my eye, then when I looked back you had dropped down behind your drums, I thought you were picking something up at first, but I became concerned when you stayed down.  I was glad when, finally- the roady, came to your assistance and you hobbled your way offstage. Thanks for the little wave to say you were alright, but you definitely didn't look quite alright...

I wish you much success on your tour, just be careful. As an accident survivor, I can appreciate the aches and pains life throws at you.  and I've had to learn to gauge myself, I definitely know NOT to lift things a certain way, I'll pay for it for weeks!  None of us are teens anymore.   I hope your trouble is just temporary, you put so much into your music,  I hope it was just a little crick in the back or something.   I noticed you played the last set with a towel around your neck, the slight adjustment to keep those towel ends from getting in the way of the drumsicks as you play, couldn't that throw things off?  It would be wonderful if it is so simple a thing to fix...  A lot of people want to see you play, but I hope they mostly feel as I do, that you deserve happyness for giving us your part in ELP and Asia, and giving so many people a feeling that comes, a rememberance of our younger years when we hear your music.  If your sets have to be a little shortened, let the other players play, or whatever other adjustments made, we like your smile on stage, we enjoy your presence, but I'm thinking that most of us hurt to see you hurt, eh?

 

Oh another thing, just so you know... My only complaints on the evening would be about some of the guitar work, though virtuoso it often sounded unclear, maybe due to the mixing and where I was sitting.  I also had difficulty hearing your base player sometimes,  and upon hearing his solos I knew that I was sure missing a lot during the rest of the concert!..  If this was your intended sound, my appologies... :-)

--

Sincerely,

Cam

 

 

THE CARL PALMER BAND

Hamilton Place Theatre

Wednesday, May 24, 2006

 

A locomotive roared through Hamilton Place Theatre last Wednesday conducted

by legendary percussionist Carl Palmer with Paul Bielatowicz on lead guitar

and Stuart Clayton on bass. Simple, yet powerful, the band delivered most of

the material from Palmer’s Working Live, Volumes 1 and 2 albums that

included  instrumental ELP pieces such as Barbarian, Trilogy, Tarkus

(Eruption / Aquatarkus) and Hoedown as well as Carl Palmer pieces such as LA

Nights and Carmina Burana.

 

Palmer was extremely personable and made a true effort to connect with the

audience by introducing each song and providing some interesting and

oftentimes humourous background. References were made to contributions and

involvement from his former band mates Greg Lake and Keith Emerson, always

in a positive manner. This effectively embraced the true spirit of the show

being billed as “A Celebration of ELP Music.”

 

ELP fanatics will say that it is impossible to do justice to any ELP

renditions without keyboards, however last nights show adequately

demonstrated what we have known from listening to the aforementioned Working

Live Volumes 1 and 2, that the virtuosity of lead guitar Bielatowicz with

the bass support of Clayton would put a very favourable spin to the music.

It is a bit of a different taste but one that brings to mind the question of

what ELP would have been like had the rumoured alliance with Jimi Hendrix

taken place. Likewise, the lack of vocals was more than compensated by

Palmer’s drumming.

 

Critics of Love Beach would be silenced with the band’s performance of

Canario. Tocatta, taken from the Brain Salad Surgery album was executed in

all its haunting splendour but the highlight of the show was certainly

Fanfare For A Common Man that included one of Palmer’s signature drum solos.

As well as explosive force and delicate touch, the man still has the

blurring speed and dexterity to leave the impression of multiple Palmers and

multiple sticks working his drum kit. The only things missing were his gongs

that emblazoned with Chinese dragons would at one time resonate throughout

the hall during his solo. Nonetheless, the audience showed there

appreciation with a standing ovation that continued and brought the band

onstage for a well deserved encore.

 

When once during the stadium filled heyday of ELP, Carl Palmer and his

revolving drum kit would be situated deep in the stage, this tour brings him

to the front of the stage up close and personal with his audience. The

venues provide a unique opportunity to experience the music and artistry of

a true legend.

 

Carl Palmer was simply outstanding and after speaking with him briefly after

the show, it was evident that he had left nothing in the “Tank” yet the

personable nature to the show continued when Palmer emerged after the show

to greet his fans and sign memorabilia. For this, he must not only be

recognized as one of the best percussionists out there but also respected as

a consummate professional.

                                                                        

Doug Smith, Toronto, Ontario, CANADA

 

 

Just a quick note to thank you again for a great show in Belleville May 25, I am looking forward to listening to your new stuff.  I hope you received the maple syrup and enjoy it.  Best wishes Carl, Paul and Stuart.  Enjoy your summer as best you can.  The sound and was GREAT!!!!!!!           

Gord Allison

 

Hey Carl,

 

The show last Wednesday at Hamilton Place was great. I have been a ELP fan "from the beginning" and still play all the early albums often.

 

Some feedback from the show, your guitar player is amazing however without keyboards you loose the whole effect. I wouldn't go to a show again unless the synths were added.

 

thx

rich

 

 

Hi Carl,

 

 

 

Many thanks for the great show in Montreal. I think that those two amazing kids (being a 43 old fart) are helping to keep your performance very fresh and topical. I truly think that your arrangements of the classics were very up-to-date with modern tastes. After having seen you perform about 9 times (ELP, Asia and Three), I truly felt that you are at the top of your art. Congratulations and hope to see you again soon. Sylvie had asked me to stick around for the autograph session, but since I value performance over anything and that writing to thank you for the music was sufficient, which I have now done.

 

 

 

Cheers and all the best,

 

James Hatch

 

 

 

Hello Bruce,

 

I went to the Sherbrooke show yesterday evening. It was great. I had heard

the band on CD and I wasn't too sure about a guitarist playing Keith's parts

but now I'm convinced. It is to Carl's credit that he gave a chance to two

talented youngsters. More than that, he gives them plenty of space during

the show.

 

It was also fantastic to have such an intimate concert (after having

attended ELP concerts in arenas). We were sitting at a table right in front

of the stage.

 

We weren't supposed to take pictures. I had left my camera in my bag most of

the show. However, I noticed that several people were using their cameras so

I did too toward the end of the concert. Here they are.

 

Finally, I didn't need to use your email to get a pic with Carl and an

autograph as there was a "meet and greet" held after the concert.

 

Also attached are a couple of pics from the meet and greet.

 

Thanks again. I just hope Carl will come back here.

 

Jean-Pierre Nadeau

 

Hi

 

Just saw you guys play last night in Sherbrooke... At first I was somewhat surprised that such an improbable band was going to come down to our relatively small town!! I couldn't have missed it for the world. The show was a real treat, everyone looked happy and sounded great. The guitar arrangements for the keyboard parts really worked well and gave a new twist to a familiar sound. The setlist was awesome too!! Tarkus is probably one of my favorites, so when I heard both Tarkus and Tank, I was in heaven!!

 

I'm really glad you guys took the time to come by our little neck of the woods.

 

There is one thing I wanted to tell Mr Palmer personally but I'm not sure it came across in the mayhem... After the show I ran out to my rehersal studio to fetch my Ludwig snare, I barely had time to run back at the Granada and got last in line for autographs... I did get my drum signed in a rush between a CD and a poster I think. I wanted to thank you again for it. I already loved that drum to death, but that just tops it off perfectly!!

 

Thanks for everything and have a nice tour!!

 

Karl Schmitz

 

 

Carl, I took my 14 yr old son whom is in his first year of drum lessons to the Bellevillle show and experienced an "incredible visual and musical explosion of classical funk rock".Many thanks and best of luck on your tour.  Belleville is better for having you perform here.

Regards Chris Finkle and Adam

 

Subj:  [ELP-DISC] Carl Palmer Band Concert Review - Day 2, Belleville Ontario May 25, 2006

Date: Friday, May 26, 2006 4:40:34 PM

From: edgecroft@yahoo.ca

To: ELP-DISC@yahoogroups.com

 

I went to see Carl Palmer last night at the Empire Theatre in

Belleville, Ontario, Canada on the second night of his North American

tour.  It was a great show and a magical night.  The crowd absolutley

loved Carl, I think he got 3 or 4 semi standing ovations and 3

complete standing ovations.

 

Carl was in top form all night and the band was blistering.  And LOUD.

They did Peter Gunn, Barbarian, Hoedown, L.A. Nights, Bullfrog, Tank,

Romeo and Juliet, Trilogy, a guitar medley (that included the theme

fromWallace and Gromit), a jazz improv and then a bass medley,

Tocatta, Canario, Tarkus, Fanfare and Carmina Burana as an encore.

Not necessarily in that order.

 

The guitarist, Paul Bielatowicz, was amazing.  He's only tiny, my wife

thought that he looked 12 years old.  She actually went and told him

that after the show. He was having a blast all night.  The bassist was

great too.  Both of the were getting amazing sounds out of their

instruments.

 

The best part of the night for me were Carl's little chats.  After

every piece he'd get up from his kit and stand at the front of the

stage and tell stories and joke around with the audience.  He's got

such a winning manner and charming presence that it made the show that

much more special.

 

I'm just guessing but I'd say there were maybe 350 people there (?),

which is way more than I expected since Belleville isn't that big of a

town and it's right in the middle of nowhere.  Luckilly it's near me

though.

 

Listen, this is the best recommendation I can give you.  My wife

doesn't really know ELP but she thinks that she hates them.  She likes

pop songs, especially disco songs.  She hates instrumental music.  She

hates drum solos.  She hates loud guitars (and this concert was LOUD).

She was dreading this concert but I dragged her along anyway.

Everytime I looked over at here she was tapping her foot, clapping her

hands and laughing at Carl's stories.  She thought they were all

amazing musicians and that the guitarist was the cutest thing ever.

She had a great time!

 

If you are anywhere near any of Carl's upcoming shows, I urge you to

get out to see him.  And don't be afraid to bring your spouse.

 

Here's a list of upcoming tour dates:

http://www.carlpalmer.com/tourdates.html

 

 

edgecroft@yahoo.ca

ELP Discs

 

wow.  i am the slightly drunken fella that told you you and your friends played the music of the gods.  i meant it.  never been more impressed in my life and i'm not elp guy or nothing just LOVED what i saw in Troy, NY tonight.  Thank you so much i wish i could see it again.

 

 

Carl - We where in the second row at Hamilton Place and we had a great time. The music was awesome, picked up the new CD and I am enjoying  very much. Good Luck on the tour and hope you get back are way soon. There is a nice 1500 seat Venue at the Fallsway Casino in Niagara Falls - the acoustics are excellent. There are a lot of bigger acts making there way in there now. All kind of Music from Tony Bennett to George Thorogood….Your Band would sound great in there….Again Good Luck on the tour and thanks for an excellent night… Last Time I saw you was with ELP in Buffalo if memory serves….Brian Rohe

 

Brian Rohe

brian.rohe@eds.com

 

 

Hello

 

     I am just writing to you  to tell you that working with you all was a real charm. your whole team is some of the nicest people we have met and what a show we have got.

 

I hope that all was perfect for you as well and I wish you all the best for the rest of the tour.

 

We hope to have The Carl Palmer Band in Montreal very soon

 

Thank you for your trust in Unicorn Digital and I hope to hear from you soon

 

All the best

 

Michel

Michel St-Pere

Hi Carl and friends.

 

My friend and I saw you in Troy last night and I have to say that you guys are amazing.  My friend and I are in a band together and we were both influenced by the works of ELP, and we both agreed that the Carl Palmer Band captures the essence of what was important in ELP.  The energy, the fun and the talent...oh..the talent!  That young guitar player is amazing!  And Carl is still POUNDING on those drums....wow!  

 

Thank you for coming to Troy, NY.  We'll be seeing you guys in NYC next week.

 

Peace

 

Paul Maceli

Acoustic Trauma

Acoustic t@aol.com

 

 

From: Steve Andersen <andersen@herridge.ca>

To: ELP-DISC@yahoogroups.com

Sent: Tue, 30 May 2006 19:25:12 -0400

Subject: [ELP-DISC] THE CARL PALMER BAND

 

   THE CARL PALMER BAND

 

I attended the Carl Palmer show at Lee's Palace last Friday evening (May

26th). The band played to a 200+ standing room only crowd (insofar as

Lee' Palace has no seating to speak of).  The show started at 11:30 and

went on until a little after 1:00 AM without intermission. There was

nothing new in the repertoire. The Carl Palmer Band performs a timbral,

and to a lesser extent structural, re-working of the Emerson, Lake and

Palmer repertoire. Although still a three-piece project, gone are

keyboard and vocals, replaced by lead guitar.

 

The show opened with Peter Gunn and came to a halt two bars later as

guitarist Paul Bielatowicz was having sound problems. After a short fix,

the show started up again and segued from Peter Gunn into the Barbarian.

Other tunes included Tank, Scythian Suite, Hoedown, Trilogy, Romeo and

Juliet (Prokofiev), Eruption, Aquatarkus, Toccata and Fanfare for the

common man with Carmina Burana for the encore. Surprisingly, Tank had no

drum solo to speak of. This was saved for the end of the show. Tank also

came in at what sounded like 200 beats per minute, as compared to the

170 BPM on the first ELP album. This was speed for it's own sake, adding

nothing musically redeeming. Trilogy was a remarkable effort, given that

ELP were not known to perform that number live in their heyday. The

music generally shines, however all songs were played with an

overpowering, muscular intensity that sometimes overshadows some of the

subtleties in the progressive rock that they play. The band was also

needlessly  loud. I noticed a number of audience members were wearing

earplugs. The problem with extreme volume is that, after a period of

time, the listener loses sensitivity to pitch. As well, undesirable

overtones manifest.

 

The three musicians played very, very well. Guitarist Paul Bielatowicz

is a 20 something wunderkind. He has pretty much mastered the melodic

lines of the repertoire. My only reservation was that I thought the

individual notes could have been brought out more cleanly and locked in

more tightly with the rhythm section. Bassist Stuart Clayton plays a

five string bass and does a lot more playing that Greg Lake did on the

same tunes. (Greg, of course, also had to sing). Clayton's bass lights

up with a row of green LED's, a rather colourful touch. Palmer played

furiously throughout the show and gave fans what they wanted.  Shouts of

"Welcome Back Carl" were heard throughout the evening. The audience gave

him a standing ovation (all night long apparently, insofar as Lee'

Palace has no seating to speak of).

 

The performance provides intellectual and artistic stimulus for the

audience and in this it succeeds. This is not, however, a show suitable

for introducing the repertoire of ELP to neophytes. Because the pieces

were originally written for keyboard, bass and drums, the presentation

was harmonically thin. This is a structural problem, not a limitation in

the player's abilities. Both Guitarist Paul Bielatowicz and bassist.

Stuart Clayton have superb control of their instruments and the melodic

responsibilities for the guitarist are formidable. There are limits

however and two hands on two keyboards at once can communicate more

musical information than two hands on one guitar. So be it.

 

Lee's Palace concert bar does not do justice to an act like this. The

lighting is sub-par (no pun intended) and it seems that Lee's policy is

to have the headline act go on as late as possible in order to sell more

liquor.  This may simply be part of tour economics. Having said that, I

found the band to be under-dressed for the occasion, to say the least.

Bielatowicz and Clayton were dressed about as casually as audience

members. We are all good comrades here, no one better than anyone else

right? Wrong! You are stars. Dress the part. Carl looks very sharp on

his promo poster in a black vest leaving arms free to work the drum

magic. For some strange reason however, he felt compelled to model two

wardrobe pieces from his Salvation Army bin collection. Stretch

polyester top and hand me down blue public school pants with flare at

the bottom are not hip! Thankfully, he kept his shirt on throughout the

show. Fans might argue that the music is all that matters but, as one

well-dressed bass player likes to quip, "the audience hears with its

eyes". We go to see a band as well as hear them. A master percussionist

and legendary progressive rock artist merits better and so does the

audience. Carl's re-working and performance of the ELP repertoire is a

gift to fans, one that deserves nice wrapping.

 

After the show, the master took a well-deserved 15-minute break after

which, looking as though he had had enough, still graciously autographed

CD's and posters for the fans.

 

Regards

Steve Andersen

Seven Virgins & A Mule - Canada's only Emerson, Lake & Palmer Tribute.

www.sevenvirgins.ca

www.sevenvirgins.com

 

 

Dear Mr. Palmer,

 

I was at your incredible performance last night in revolution hall in Troy

NY.  I came away with a feeling of awe and respect for you and your band.

Thank you from the bottom of my heart for the show.

 

Respectfully,

 

Tom Nowak

 

Hi! i just saw your show in montreal and it's my 6 show's in 2 month's and i can say that was my best one yet.I realy enjoyed it ,you're band was super good i like emerson lake and palmer ,but seeing you and the 2 new young player that you had with you realy blew my mind.Thank's again for the old memories and the new one Upgrade your email with 1000's of emoticon icons and happy touring!!

 thanks

Anissa palmer (no relation)

anissa.palmer@sympatico.ca

 

 

Carl,

 

I didn't know what to expect as I have never heard ELP music done on

guitar. Paul is absolutely amazing on the guitar, my wife thought the

bass player was incredible and You just amaze as always.

 

All I can say is WOW!! Blown away.

 

 

Thanks again

 

Sincerely,

 

Brian Steller

 

brian.steller@blackbox-vs.com

 

 

Hi:  We went to the May 24 concert at Hamilton Place and really enjoyed it!!  Of course Carl was excellent, but the 2 guitarists were exceptional, as well.  One thing we were wondering though, what happened at the end of the concert??  After the encore, it seemed that Carl was helped off stage, and we were wondering what happened.  It seemed like an unusual way for the concert to end--no one came out for bows, and the audience just filed out of the concert hall.  We were hoping that Carl is OK, and were looking for some news as to why it ended this way.  Is there anything you can tell me??

 

Thanks

 

JUDY VAN POPPEL

 

Hi there,

 

Caught the show in Hamilton last week and have to say it was by far the

best percussion I have ever seen.  This I was expecting but to my

suprise your guitarist was also amazing.  I just wanted to know if you

have recovered from your injury at the end of the show on the 24th, I am

guessing it was a calf musscle?  hopefully just a cramp?

 

Hope all is well, Really hope to see the show again....Since I am

guessing I won't see ya back in this country in a long time sounds like

a good excuse to see some realitives/you in England.

 

Slainte'

 

Kyle

kyle.whiteman@bell.ca

 

 

 

 

 

 

Dear Carl,

You are a special man and what you are

doing with the schoolchildren is an inspiration to all.  Your show was

also tremendous and you sound better than ever.  Keep on being yourself

and having fun!  Again, many thanks!  hugs,

Carla  H

(Boston)

Musicallyrics@AOL.COM

 

 

 

 

 I rarely add anything,but felt compelled to after last night's

performance and what a performance it was. I was expecting it to be

good,after all Palmer is a world class drummer. The show was

spectacular and exceeded all my expectations.

 

We all know the set list stuff and I'm not one for lists anyway.

Suffice to say it was a great cross section of his career and he

performed some material that never really got a big airing in the

first place such as Toccatta.

 

The man is a powerhouse with a great sense of humility and self

affacing. He would be doing great complicated pieces and all of a

sudden look out and remark "It's easy." This type of thing is what

made the show special. He lent alot of personality and warmth to the

show which added tremendously.

 

The music was stupendous. The bassist and guitarist greatly

complimented his drumming. He was very gracious making sure to point

out that it was the Carl Palmer "Band." At one point he was doing

some improv with the bassist that was technically great and also

humorous as they played off each other.

 

I've seen ELP a million times and maybe it might be that factor that

didn't have me missing the keyboards. At this point I like seeing

artists take chances and experiment. In this case the experiment is

a resounding success.

 

The show was high energy all the way and when Palmer let loose it

was a sight to behold and hear as well. I have no idea how long te

show went for,but it went all too quick.

 

Anyway. An awesome time. Send him back soon.

 

Dave

 

Carl

 

Great show in arlington MA this week.   I was looking on your web

site for some information on the guitar player and could not find any

info on the band.  Can you guys post some info about the guitar and

bass player there?  The kid was amazing.

 

Thanks

 

Pete

 

 

I am sending this review in support of the Carl Palmer Band from a

lady's perspective. I recommend that if you have a chance, don't

hesitate to  see the show. You will not be disappointed !

 

 

The Carl Palmer Band

Lee's Palace

Toronto, Ontario, Canada

May 26 2006

 

I attended the Carl Palmer Band show at Lee's Palace in Toronto and I

found it to be electrifying ! The show started around 11:30pm, perking

up the patrons, right from the first beat of the drums. ..... Starting

with Peter Gunn was fantastic, loved it !

Everyone liked it so much that several people were asking if it was

recorded on any of the CD's being sold at the merchandise table.

 

Lee's Palace being a small venue made the show intimate and

personable. Due to the fact Carl introduced every song, as well as

giving a little history on some songs, was a nice touch.

 

The crowd was mesmerized by the music, not believing a guitar could

replace an organ in some of the ELP songs. However, they were most

impressed by Carl himself, how fast and agile he is. He did not

disappoint his fans for a second. They quite enjoyed the new

renditions of Tocatta, Tank and Tarkus.

 

Due to the late start time, the show did seem a bit rushed, however at

the end of the show, after 5 minutes of thunderous clapping and

cheering from the crowd, the band came back on stage, delighting

everyone with an encore.

 

All customers purchasing merchandise were advised that Carl would be

available for autographs after the show. Once again Carl did not

disappoint anyone, signing his last autograph around 1:30am.

 

I spoke to Carl, I found him to be very down to earth and personable.

What a wonderful way to end a perfect evening.

 

I truly hope I get another opportunity in the future to see this band.

I could never get tired of their sound !

 

Linda,

Toronto, Ontario, Canada

organicturf@rogers.com

 

 

I had no idea what to expect.  I took my 14 year old nephew who will be turning 15 in August and who has been drumming since he was 11.

 

He is not familiar with the music of ELP.

 

I am very familiar with the music of ELP.

 

Changing/arranging the music of ELP to drums, bass and guitar had me a bit concerned….

 

Both of us were totally blown away.  I have no idea where Mr. Palmer found these two musicians, but they were all awesome and of the same caliber in musicianship which is quite astonishing as the guitarist and bassist where probably half Mr. Palmer’s age.

 

My nephew got autographed sticks, but I wish he could’ve got to talk drumming with Mr. Palmer.  I hope Carl does a drum clinic in the Philly area sometime instead of New York.

 

Awesome.

 

Brian F. McElroy

bmcelroy@hanovereng.com

 

Dear Carl, I am a huge fan of yours since 1970 and was so glad to have

finally met you personally at the Beachmont School in Revere, Mass. Thank

you for signing my t-shirt. My brother Tom Maffucci is the director and your

biggest biggest fan in the whole world. He has played your music since he

was 11 and has been following in your footsteps since. He has dedicated his

life to playing your music to his students so that they learn only the best.

You know the last time I saw one of your performances with ELP was at Radio

City Music Hall back in the beginning of 1999 and it was magnificant. I was

lucky enough to have a backstage pass.  Thank you for the most excellent

music you have brought me in my life and I will always treasure it as a huge

and awesome part of my music collection. Thank you also for the great

performance at the Regent in Arlington, Massachusetts.  Have a great show

tonight at B.B. Kings and stay as great and awesome as you are. I live and

work in New York and know that the people and the venues are just great.

Take care Carl and thank you again for all the years of beautiful music and

God bless.

Tina Maffucci

tmaffucci@kaufmannfeiner.com

 

 

 

  Mr. Palmer:

 

  I had the opportunity to see you perform for the first time this week in a

solo context. I was absolutely amazed not only by the virtuosity displayed

by you and your trio, but by the arrangements of the ELP material, and the

uncanny rapport between the players onstage. I am extremely thankful you've

elected to tour the States. I do hope you'll make Philadelphia a regular

future tour staple. The show was a transcendant experience for me as a

spectator, a drummer, and a music lover. My friend Rob who accompanied me to

the show was blown away as well. I think the level of performance shown

definitely rated the standing ovations you and the band recieved between

songs.

 

  On a separate note, I have a question to ask you as a drummer and a

martial artist. I have studied Chinese & Israeli forms separately over the

past decade, and have been a drummer for about 25 years now. Recently,

during a Krav Maga sparring session, I fractured the scaphoid bone in my

right wrist. I was told surgery (specifically, a bone graft & a screw) was

my option here, and that I might not regain full range of motion even with

this operation. I am curious to know if your martial arts experience over

the years saw you with any injuries similar to mine, what effect it had on

your touring schedule, and what type of activites you might suggest to

optimally return to "fighting shape" not only as a drummer, but a martial

artist.

 

  I appreciate your advice and insight

 

  John Martin

  Philaldelphia, PA USA

  johncmartin@hotmail.com

 

 

Dear Carl:

 

 

 

I just wanted to tell you how much I enjoyed meeting you last evening and seeing your show.  It took me 35 years but I finally got to see you live and you didn’t disappoint!

 

 

 

You all are extremely talented and the music was very powerful, and magical … my husband a long-time Country-Western afficianado, was even impressed and wants to see you again when you next come to New York!  We were both totally blown away!

 

 

 

Thank you for putting on such a great show.

 

 

 

I also have a message for you from someone who we sat with at the show … her name was Pam Petrone and she said to say hi and sorry she couldn’t wait to see you after the show as she had to get her bus to New Jersey.

 

 

 

Sincerely,

 

 

 

Stephanie Gabris

 

Brooklyn, NY

Stephanie.Gabris@Sherry-Lehmann.com

 

 

Carl,

 

 

 

The performance last night was phenomenal, exceeded my expectations.

 

I bought both CDs,, but did not wait around long enough to get them signed.

 

 

 

I hope you release a recording with your new trio. WOW they are super!!

 

 

 

I have been a fan since the 70’s and love your musical work.

 

 

 

Cheers !!

 

 

 

James Garcia

 

WE SAW YOUR SHOW AT BB KINGS TUES JUNE 6 LET ME TELL YOU IT WAS UNBELIVABLE. THE BAND IS OUTSTANDING THANK YOU

 

mlammens@nyc.rr.com

 

 

Dear Mr. Palmer,

 I had the pleasure of hearing you on June 2 at the IMAC Theatre in Huntington, N.Y. Both you and your bandmates were out of this world!

 

A few years ago, I ended my teaching tenure at the Long Island Drum Center of Plainview and opened my own drum school. Much like my most important teacher, the late Al Miller, I'm always looking to expose my students to the upper crust of musicianship. One of the ways I achieve this is to have a website for the school on which I have a Links section. From there, my students can explore drumming the likes of which they would never be privy to if left to their own devices, or the sources of popular music they listen to regulary.

 

Therefore, the mission behind this email is to request that I may include a link on my site that would lead to yours. I would be honored by a reponse in the affirmative. In addition, if there are sites that you feel would also benefit my strdents, I would appreciate you steering into that direction, as well.

 

Thank you, in advance, for your time and consideration.

 

 

Andrew E Rykowski   aka Dee Ri

Owner/Primary Instructor-

The Dee Ri Institute of Drums and Percussion

 

_______________________________

 

 

 

 

 

 

 

 

 

 

 

 

 

 

© 2006 Carl Kendall-Palmer Ltd. All rights reserved.
Programming, content, images and graphics are by:
Dynamic Web Pages, Alan Ticheler, Bruce Pilato / Pilato Entertainment, Marc Eisenoff, and The Heitz.
Programming by Dave Kaspersin Dynamic Web Pages,