THE ROAD REPORT




Funny story, All my life I wanted a drumstick from Carl

Funny story, All my life I wanted a drumstick from Carl. Not a store

bought one, but one that he used. I never have caught one, I never

stole one backstage.... the other night he tossed me a stick which hit

the edge of the stage and went strait into my face! I had a bloody lip,

but I still was very happy! lol I can only hope that Keith doesn't

throw knives anymore cuz I am sitting in the front for that too!

:) ps. the lip is healing up now! lol don't u dare tell him! ;)

Carla H

Boston, MA

 

Montreal Show at the Medley

27 th of may 2006

Hello Carl,

Like everybody who was there on that special saturday night, I was blown away by your drumming performance, and also by the performance of the young musicians Paul and Stuart. My husband and my friends really like the show also. It was fun and special to hear guitar playing on ELP music and Paul got it. Stuart on the bass was very exceptionnal, almost as good as Tony Levin who was playing the same night in our town.

What was special for me that night was working for you saling merchandise. I had good interaction with the fans, and believe me, the fans are hard core fans, no doubt about it. They wanted to buy everything or almost and many of them had stories to tell me about ELP or Asia shows that they saw in 35 years long...

It was very fun and nice to meet you several times before and after the concert, and be able to exchange on some subjects; music and drumming, Karate, jogging, old pictures of you with Atomic Roosters or with ELP in the snow at the Olympic Stadium, merchandise saling and the Impact T-shirt ( soccer Mtl team), physical condition, Eddie from Paiste, and the Mtl DrumFest...

It was fun to speak with Paul and Stuart. It was fun to work with your team, and specially with Bruce and Lorie.

I already send some pictures to Bruce.

It was a great night to remember. Thanks a lot and come back soon to play in Montreal, your second home in 1977.

Salut de Sylvie ( bisous XXX)

 

 

 

Hi Carl,

 

 

Looking forward to your show in Dallas at the end of June. The setlist looks like a dream for ELP fans on Christmas morning. I do hope you will be making a return trip in September with ASIA. At present, there are no dates scheduled for any city in Texas and I would implore “The Powers That Be” to consider a stop here.

 

 

Thanks,

 

Brian Coppinger

j.coppinger@sbcglobal.net

 

 

 

 

Carl, I will would have to say the show was awesome probable as good as any

ELP show I have seen. I brought my bother-in-law with me to see the show

after the show was over his comment to me was "I knew the show was going to

be good but not that good". Bob H

Robert.Hammer@UTCPower.com

 

 

I first heard Carl in atomic rooster; I worked in a record store in 1969/70 in Chicago that stocked UK imports. We received the first ELP LP months before US release and were floored. I saw the first tour in Milwaukee and somewhere in Indiana with Johnny Winter and Humble Pie on the Bill. Of course saw every tour after that, some multiple dates as there have never been enough great drummers to see live so the chance to see Carl in those days provided an opportunity to see someone in our age bracket that could hang with rich, bellson, etc.

 

 

I still play, 1971 Ludwig Octaplus kit that I took to UK with me in 72 when there putting a band together. Now as we are all older the love of drumming still stays strong. I still practice 5 days a week and with a progressive group influenced by Ride, Pink Floyd, ELP and the Byrds, (I know that’s a bizarre group on influences but it works). Look forward to the show in San Diego June 26th.

 

 

John N. Roberts, Esq.

JRoberts@vviewcasino.com

 

 

 

Dear Mr. Pilato,

 

I can’t thank you and Anne enough for all that you did in getting Carl, Paul and Stuart to come to my school. The day was unbelievable! Carl and the band were so kind and generous with their time with the children that it will be a day they and I will never forget! Especially when during Rondo, that Carl gets up out of seat, goes up to the stage and sits behind a spare kit that I had set up for him in the hopes that he would play. Sure enough he played along with kids exchanging solos!! Go to www.revereps.mec.edu/palmer.html to see pictures from that day. I am also attaching a write-up that I put together in the hopes that you would along with the pictures, put on Carls website? What a contribution to education! I will be forever grateful! Please thank Carl once again from all of us at the Beachmont school for his time.

 

 

Sincerely

 

Tom Maffucci

Music Teacher Beachmont School

Revere MA

TMaffucci@revere.mec.edu

On Tuesday, May 30th, at 1:30 pm in the auditorium of the Beachmont School, I introduced the students of the Beachmont Percussion Ensemble and special guests to the legendary Carl Palmer and his band comprised of bass player, Stuart Clayton, and guitarist, Paul Bielatowicz. After introductions, Carl spoke to the audience about the significance of recording Pictures at an Exhibition with ELP. It was originally a rehearsal piece and, when they realized how incredible it was, they decided to record it live. After it was released, it influenced listeners to research the original piece and become more familiar with the world of classical music. Afterwards, Carl, Paul and Stuart were invited to sit and watch the Beachmont Percussion Ensemble perform their arrangement of Pictures. The ensemble not only has percussion, but it also contains synthesizers which produce a unique sound. The students performed an arrangement that was very similar to ELP’s, with all of the majestic, mysterious, foreboding, ferocious, 16 minute intensity of the many movements. After the performance, Carl enthusiastically congratulated the kids ranging in age from 10-13. Carl then asked why there was a red sparkle kit set up on the stage (with Paiste cymbals of course), and I told him that it was there in case he’d like to play. Up next was the ensemble’s arrangement of the ELP classic America/Rondo. While the kids tore through the piece, the energy from the music prompted Carl to leap out of his seat and, before you knew it, he was behind that kit doing only what he can do. The excitement in the auditorium reached a fever pitch as Carl, Jason (one drummer in the ensemble) and Nicholas (playing 4 timpani) traded solos! It was an unbelievable experience! The students in the ensemble and the audience watched as Carl shared his virtuosity. After the solos, the kids came back in with America and ended the piece with an explosion that all the kids in the surrounding classrooms heard and felt! Carl not only shared his greatness as a performer, but more importantly, he was so attentive to the questions of the children, making sure they understood what he was talking about. He is as great an educator as he is an accomplished drummer! Paul and Stuart, educators in their own rights, answered questions as well. It was a beautiful thing to see how kind and caring they all were to the children in the ensemble. Afterwards, he tirelessly signed autographs for everyone there.

 

The night after, I attended his show at a packed Regent Theater in Arlington, MA. While there, I saw a bunch of my students in attendance wearing their BPE logo shirts. Once all were seated and the lights went down, the powerful introduction music of Orffs Can Can resounded through the theater while colored lights flashed in sync with the music. Carl and his band entered the stage, and what were his band members, Paul and Stuart, wearing? None other than the Beachmont Percussion Ensemble shirts that we gave them in appreciation for coming to the school! The band tore into Peter Gun which segued into the Barbarian. By the way, Paul and Stuart are absolutely the most brilliant up and coming musicians I have ever seen, and I know everyone who has the great opportunity to see them perform will agree. The Carl Palmer Band’s performance was packed with so much power, precision and finesse that everyone left in awe and, once again, confirmed why Carl Palmer is and will always be a legend as a drummer and an educator!

 

Tom Maffucci

Music Specialist

The Beachmont School

Revere, MA 02151

 

 

Your drumming was the reason I started. I got really wrapped into rudimental drumming adn went to drum corps for 6 years. I cold go on and on, on how you influenced me but my real reason for writing. I have always wanted to see you in a clinic but most of your clinics are done in UK. I have seen you play with ELP and three and loved it. What about FLorida or Georgia. I could drive there.

 

Hi Carl ! - hope you get this !

Carl, belated thanks - my wife and I saw you at the Deal Astor in November 2004. We were absolutely amazed and had a wonderful evening - and still talk about it now. And yes, we do get out. ;-))))

We just noticed you're touring in the north of England soon, and we're really hoping you'll get to Manchester - we moved there from Kent a while ago. May be a bit expensive for us if you do - Debby has one of Corky Laing's drumsticks, and I've said that if she gets another one, preferably one of yours, I'll buy her a drum kit. ;-)))) And given that we're a "seven saxophone one bass one flute" family, I'm serious ! ;-))))

Anyway, just a note to say "thanks very much for a great evening" and "hope to see you again ! " - would bribing you with beer help ? ;-))))

Cheers and all the best !

Dave and Debby

 

I just had to write a note of thanks. My wife had gotten me tickets for last night’s concert as a birthday present. It and you and the rest of the band were incredible. I have been a fan since the first time I heard Tank. I was sixteen and in a music store and just happened to be standing in the right spot as the sounds went from speaker to speaker. It was my first true experience of stereo. I bought a stereo and those speakers on the spot. Yours was the first album I played on it. I then spent the next four years going back and forth to college and every time I reassembled the stereo it was always the first to play. I have since replaced the album with a CD but till this day, it is the first to play on any new device I get, including my new iPod. Again, thanks for a concert that my wife and I will never forget.

 

Joe and Jackie

 

I really enjoyed the show last night. It was an incredible performance. Hearing "Trilogy" performed live was something that this ELP fan has always wished for. Thanks for everything, including those couple of minutes with Carl this morning.

I'll send you off a set of prints from the 1982 ASIA tour as I mentioned last night . I scanned some of them into a little story announcing the reunion and upcoming tour. Here's a link to that: http://www.davesontour.com/misc/asia1.html

Good luck at BB Kings and on the rest of the tour. See ya in September!

Keep rockin'

Dave Iozzia

www.davesontour.com

 

I just wanted to " Thank You " for getting my son Jimmy and I in to meet Carl before his performance last Sunday at the Keswick Theatre. It made a memorable impression on us both to meet Carl and the pictures came out great as well.

We were 10 rows back center for the performance and were totally blown away by the caliber of musicianship demonstrated that evening. It was also my son's first " live rock concert " and what better way to break him in. I wish all the best to you, Carl and everyone else involved in the tour. Love to see you all come thru Atlanta sometime!

Thanks Again

Jim & Jimmy Davies

JBD59@aol.com

 

 

Dear Carl

 

 

Saw the show last night in Chicagothen flew home to Nashville. Hey, I’m a fan.

 

 

Great show.

 

 

Didn’t think it would be possible, but you’re actually better now than you were in 1977 when I saw you on the Works tour in Nashville with full orchestra.

 

 

I appreciate the autograph of the poster and the pics that my best friend (Rob Blagojevich) took of us. By the bye he’s the brother of the governor of Illinois (Rod Blagojevichhelped us get the best seats in the Abbey Pub!), and is now a devoted CP fan.

 

 

You may remember we spoke back in ‘86 when I was with Merrill Lynch in New York. You were in the city working with Joe Turner from Rainbowall pre-Asia. I wrote you through Brian Lane, can’t remember about what, but you were kind enough to call when you came to town. Anyway, you gave me your address in the Canary Islands and I sent you birthday cards for a while. Then through some computer crash I lost the address….

 

 

I told my buddy Rob that your heroes need to be an inspiration. You always have been an inspiration. You’re immensely talented, still have fire in your belly, in great shape, good family man, and pretty damn nice too. My kind of hero.

 

 

Best of luck to you my friend. If you’re ever in Nashville (Music City), please look me up. I’ve got lots of connections herewe could put together a huge gig. I promise I could deliver thousands of people. But you don’t have to work for foodI’ll buy you dinner whether you play or not!

 

Best regards,

Andy Martin (drummer, stock broker, writer)

We arrived at the Beachland Ballroom this evening likely into the first tune

of the Carl Palmer band at around 9:15. It was a trio consisting of guess

who from Emerson, Lake, and Palmer who played drums, along with a bassist

and some kid playing guitar. Obviously, the musical talent was there. The

crowd was into it, though the entire place was seated. In many ways I'm a

fan. It's cool to watch the symphony seated. My parents revel in the stories

of going to see rock concerts (like ELP) in the 60's and 70's where everyone

sat quietly. We sat in the first row at one in Atlanta for Chick Corea.

Exactly seven days before, we witnessed Bernie Worrell's Woo Warriors at the 
same venue. It was like night and day in many ways. The first of which was 
the fact that Bernie wasn't even close to being ready to roll until around 
midnight. Secondly was the crowd. The crowd wasn't ready for Bernie to roll 
until around midnight, but this week, folks had to get to bed so they could 
spend time with their kids tomorrow. Finally, of course, is the difference 
in the music.

The Carl Palmer Band show was best described as a music clinic. Carl Palmer 
has a rich history. The guy was playing in super groups before I was born. 
However, he was a young guy back then, so he's still pretty fit. You really 
need to be in order to hit the drums like that guy. I'm sure he is on his 
way to becoming deaf. I saw no ear plugs. The guy can really bang it out. In 
addition to a few grooves there were some deep patterns and some 
time-signature shifts. I thought a couple of times there was a lack of 
tightness, though it was a good thing.  He was doing some crazy solo stuff, 
like single-handedly bouncing a drumstick off of a cymbal by hitting it with 
his other drumstick.

The guitar player could definitely shred. He'd fit in well in Cleveland. 
However, he also had some really tight renditions of stuff I've only heard 
Keith Emerson do (the keyboardist). Also, he and the bassist covered Flight 
of the Bumblebee as a duo-not an easy task. Being familiar with the piece, 
it's good to know that I'm not the only one that can't play it perfectly all 
the time. However, this dude still did it better than me on the 
horn-shredder. He also got into some really mellow shit and at one point, 
and even utilized the dual-melody technique that is pretty much perfected by 
Charlie Hunter on the 8-string.

In addition to the normal pick configuration for most tunes, the bassist 
played the two-handed tapping method of parallel hands that was developed by 
Emmett Chapman on guitar circa 1969. Overall, he kept it together 
throughout. Also, he had some crazy lights on his bass and really had a 
tight rhythm interaction with Carl Palmer. However, while it was comfortable 
to sit and watch for most of the show, there were moments where you needed 
to groove.

Bernie Worell on the other hand, is all about the groove. He was a child 
prodigy with a rich history, peaking musically and commercially in the 70's 
(like Carl's Palmer). On this evening he was looking better than he had been 
described to me. I'd heard tales of declining quality in the shows, as well 
as his appearance. My first reaction was he looked pretty spry for the old 
man. However, I ended up finding the spectacle more entertaining than the 
music. The first act was local. I couldn't stand the keyboard player's voice 
and thought the voices on his keys were not my favorite. Bernie showed up at 
the venue around 11 and came up to the stage to jam with them. After a nice 
little jam, the keyboard player pulls out some crap song with little to no 
room for Bernie to play. Then, he extends the tune long enough for Bernie to 
look visibly perturbed by the fact that he couldn't chill on the back room 
before his show, but had to try to fit into this already instrumentally (and 
vocally) crowded tune.

The Woo Warriors show was mediocre. There wasn't much musicianship, and the 
grooves didn't have a clear direction or delination. The entire show was 
pretty much a string of languid grooves, though grooves nonetheless. Carl 
Palmer's band had as many meaningful grooves, and also laid on the hard core 
music theory. I could feel the brainwaves in the room geared more toward if 
I were considering theoretical mathematics or computer logic than Bernie's 
crowd, where the ladies in the front row were smoking a joint while playing 
their tambourine along with the band. Sometimes, you get what you pay for. 
It was $12 for Bernie and $30 for Carl. If you can make it on time to the 
clinic, you'll probably get more for your dough, but you'll pay more.

Now. it doesn't always work out that way.

 

happyr...@happy.russ

 

 

 

 

 

What a great show last night in Milwaukee! Carl and Paul and Stewart

were phenomenal. But, then, you know that already.

 

In talking to Carl afterwards, I mentioned that my recently-published

novel, Bram Stoker Award finalist WOLF'S TRAP (Leisure Books), contains

many references to ELP and their music, and indeed to many other

progressive rock bands. When I mentioned that he might be interested to

know about it, he suggested I "write in to the website." Perhaps ELP

fans might want to check it out, if they're into hardcore horror. The

novel's protagonist, like me, grew up listening to ELP and the music

helps shape his character. There are no quotes, just references to

certain songs and albums. If you'd like to make mention of it at the

site, it's: WOLF'S TRAP, by W.D. Gagliani (Leisure Books; ISBN

0843957026; $6.99). Rated R for content!

 

Thanks for your consideration! And please know that Carl's show was

deeply appreciated by many ELP fans, as was the chance to meet him and

thank him in person. The music has meant a lot to me over the years, but

many can say that. Still, it has formed part of my character, as well as

the character in my novel.

 

Thanks again,

 

W.D. Gagliani

william.gagliani@marquette.edu

 

www.williamdgagliani.com

 

 

Hiya!

How are you doing?

Hope you're feeling well.

My name's Koro (weird I know lol), I'm 18 and I've loved your site.

Actually, I love your music too (specially ELP) so it's not a big surprise I've liked it.

Pictures at an Exhibition was the first song I ever heard in my life and I used to get really scared with Tarkus's tale, my older brother enjoyed that.

Anyway, I'll stop talking bout me, sorry.

I like your site a lot but still I'd really apreciate it if you could add some older pics of yourself.

You look great!! It's just I missed them...

Well, just wanted to say hi and wish you all the best luck in the world.

Cheers!

KORO

serendipity5257@hotmail.com

 

 

Just wanted to say that i saw your concert at the abbeypub in chicago and was blown away..I don't know where you found the bass player and lead guitar player, but they were incredible.

.Hope you come back soon.Im 49 and have been a fan since the first days of ELP...Cant wait..Thanks for coming to Chicago...................

Harry

Yeah3@aol.com

 

 

Carl: I attended the Springfield show at the Warehouse last night. It really was an old Sears repair facility. I had seen the old band four times and this new lineup takes the music to another level. The young players that you have are phenomenal. The music is "new" to them and their enthusiasm really shows. I have been playing guitar for 40 years. I started about when you did at 14. I will be 54 in October and have been with the band since it's inception. I even saw Atomic Rooster in St. Louis back in '70 or '71. You may have left already. I guess you could just call me a "Cabaret King". Just playing the clubs around the midwest for years. Our website is www.hotpropertyband.com. Thank you so much for bringing your world class lineup to our sleepy little city. I live in the country and really don't even like to come to town but I wouldn't have missed it for the world. Your chops and stamina are still as great as ever! Thank you,

Bruce Baise,

New Berlin,Ill.

 

Dear Carl,

My friend and son came with me to see your concert last night and we were totally blown away.We knew your band wound be good,but we all agreed with all our hearts-it was the best concert we have ever experienced!! You are the greatest! Thank you for your unbelievable gift!

Terry McAlexander,

Mount Vernon, Il

terry_mcalexander@yahoo.com

 

 

 

 

Carl, I just got home after seeing your band perform in Denver. Im still on an adrenaline rush after experiencing the non stop energy you gave off at the show. Truely an incredible mesmorizing experience akin to what I used to experience in the 70s when I used to play Tarkus and Brain Salad Surgery. Your mastery of percussion is awe inspiring and the way youve arranged the songs for the guitar accompanyment was pheomenal. As much as I love Keiths keyboards I wasnt missing them after hearing your band mates adapt your classic ELP tracks to the guitar. As you said the show would be ELP music, adapted and changing to meet the times. It had much of the good old qualities any fan would want to hear along with a wonderfully satisfying new twist. Everyone was going wild. People cheering, dancing. wanting to hear more and more. frankly I wasnt looking forward to this summers concert scene which didnt have any shows which really appealed to me. When I saw you were on tour I flipped and now feel that I have witnessed one of the best concerts I had ever seen. Thx also for bringing your show to small intimate clubs. I was two rows back from your drums, something that never wouldve happened in the 70s and something I never ever thought I would experience up close and personal. I will always remember your talent and the many incredible memories your music has and will continue to bring me.

 

Ivan

avsfan10@comcast.net

 

We did not meet Carl the room was 150 deg and shoulder to shoulder with fellow rockers. Nice little venue the guy can play the drums so fast I could not even see his arms. It was great!!

Toby Shigley

Denver Co,

 

Hi! Did you get my voicemail last night?? You may have received two, as the first time I called, I didn't know if it actually went through. I wanted you to hear some of his performance! We had such a wonderful time last night! Carl is unbelievable and the two guitar players were awesome! I can't believe Carl's endurance!

Wendy Shigley

Denver Co,

 

 



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